Coumba
Sidibé is one of the pioneering forces of that new generation
of female singers from the Wassoulou region in the South of Mali, that
emerged at the end of the 1980s, along with Oumou Sangaré, Kagbe
Sidibé, Sali Sidibé and others. Different from the until
then dominant malinké praise singers, these young artists addressed
contemporary issues in their lyrics, such as social problems. Although
the singers are mainly Peul they are singing in the wassoulou dialect
of the bambara language.
The pentatonic wassoulou music itself is very distinct from malinke
music and is reminiscent of the rhythms of Malian hunter music played
with the Dozon N'Goni (hunter's lute), but using instead the smaller
Kamelen N'Goni (6-string youth lute). Other instruments used are the
traditional one-string violon, the soukou, the M'Bolon, djembé
and also the electric guitar. The rhythms are repetitive and hypnotising,
but there is room for improvisation on the string instruments.
Coumba sung from the age of seven, and started her professional career
in the Ensemble Instrumental National du Mali in the 1970s. Her voice
is rougher and jazzier than that of Oumou Sangaré, but less "arabic"
flavoured than Sali Sidibé's voice. Although well-known in Mali,
she never quite made it to international fame thusfar. Her recordings
aren't that well distributed internationally, but a few songs can be
found on the two Wassoulou Sound samplers released by Stern's Music. |