The phenomenon Amkoullel
Amkoullel!
This name is certainly not unknown to you if you are young and adept
of the rap.
His real name is Issiaka Bah; he imposed himself as a reckoned leader
of the Malian hip hop very quickly. The young rapper is original in
his beats and in the themes of his song which are all pertinent and
disturbing.
He’s a young engaged artist. His engagement is naturally shown
on his first album "In
faculté" released in August 2002. "In
faculté" is a very mature work, cleverly simmered to make
a hit. And the results matched the expectations. Since the release,
Amkoullel is always on stage because he's very demanded.
This album makes the engagement of the young Fulani concrete with very
evocative and catchy titles. The introduction “I am” is
alone an art and a message that defines clearly the strong personality
of the young rapper.
“This song is at the same time an introduction to my album
and a way to present myself showing samples of the different style I
use in my flow (manner to rap) and the different languages I use (French
and Bambara). It also conveys my personality which is based on autonomy
in thinking, in identity: I am because I don’t ape anybody…”
"Mali kalanko" and "In faculté" (the incapacity,
the virtual existence of faculty, with the prefix “in” for
the non-existence of any faculty or university…) in which he criticises
the pupils and students who follow like blind the leaders of their association
who in fact are just defending only their own interest. He highlights
the gaps of the educational system and accuses students, parents, teachers
and authorities of the importance of the school crisis Mali is going
through since more than a decade. Convinced Africanist, he’s against
mimicry. That‘s maybe why in his song "A Guodon", he
exhorts music lovers to dance like they conceive music and not like
how the other dance. In his opinion, danse and music are universal so
every one can dance as he like.
The style of this song is raga hip hop and has been created for the
people who like dancing. The lyrics say: “let yourself go! Dance!
Don’t be ashamed to let your joy explode, the sound must penetrate
your skin!” This song also praises the party nights in Bamako
in which people enjoy themselves a lot! In an other track (ironical
this time), the very satirical Amkoullel
condemn the “fools, the carefree and those who doesn’t
use their brain because they are used to the intoxication of the communication
of today’s consumer societies. They are unable to judge or criticise
cleverly the policy of the country or of any where else in the world.”
In "Infaculté", the young rapper pays tribute to his mother in the song
"Mère si", it's also a tribute to all the woman who are devote to their
children. Mère …Si ! Mother …if ! can be read in two ways : (Merci
!) thank you, and (Mother !.. if only you haven't been here !. Without
my mother, I shouldn't have been the man I am today. A message to all
those who haven't have their father with them and use that as a pretext
to justify their bad behaviour! Love song for my mother and all the
mothers who take care of their children, recognizes the polite, joyful
and timid boy.
Handsome guy, Amkoullel is presently the favourite of the young trendy
people of the country, especially after his two brilliant shows near
two Rasta men leaders in the African youth: Alpha
Blondy and Tiken Jah Fakoly.
Young girls are ready to do any thing possible to be in his company
and seduce him. But the young Amkoullel stays
wise and keep his feet on … stage !
Posthumous
homage
Tata Diakité was painfully torn away from our affection on last
January 24th, a vibrating homage was paid to her. It was on March 28th,
2003 at the Palace of the Culture Amadou Hampaté Bâ of
Bamako. The idea of this Official reception had come following the threat
of the private clinic Pasteur to eject Tata
Diakité at a time when she was already suffering
morally and physically. One of her leg had just been amputated following
a traffic accident a few weeks earlier.
Thus, in front of this threat, the collective of the artists of Wassoulou,
the producers and the department of the Culture had initiated this spectacle
to help her family. Unfortunately, Tata finally died at the eve this
spectacle and above all, at the eve of her evacuation toward France.
Nevertheless, the Collective of the artists of Wassoulou, Ganadougou
and Banimonotié made a point of organizing this giant concert
in order to pay her a posthumous homage and especially to help her three
children for who are intended the receipts of the event. That’s
how about twenty artists united on the scene of the theatre Bazoumana
Sissoko. Parallel to this spectacle, an album "Best of" is
on the market and a part of the incomes of this sale will be versed
to the orphans of Tata Diakité. Unfortunately this charitable
action is not spared by piracy. Cruel destiny for the Malian artists.
Zirin
Live
Initiate by Lassana Igo Diarra, the second edition of "Zirin
Live" (Zirin Rap) met a real success last March 15th, 2003 in the
French cultural centre of Bamako. This edition was enhanced by the participation
of the actors of the National Institute of Arts and who ensured the
staging of this henceforth annual rendez-vous.
Good Mention to the Association Balani’s with at its head Mr Igo
Diarra who managed to gather on the same scene a part of the cream of
the Malian hip hop: Doudou Soul, Déné
Issébéré, Amkoullel
and Zion B without budget (150.000 Fcfa offered by the French
Cultural centre). "If god gives us long life, we will integrate
to the production a video support and a musical compilation, it’s
the only way to teach the children the virtues of our society especially
when these traditional values tend to be replaced by foreign culture"
said Mr Diarra after the meeting.