N° 06
April 07,2003

The phenomenon Amkoullel
Amkoullel! This name is certainly not unknown to you if you are young and adept of the rap.
His real name is Issiaka Bah; he imposed himself as a reckoned leader of the Malian hip hop very quickly. The young rapper is original in his beats and in the themes of his song which are all pertinent and disturbing.
He’s a young engaged artist. His engagement is naturally shown on his first album "In faculté" released in August 2002. "In faculté" is a very mature work, cleverly simmered to make a hit. And the results matched the expectations. Since the release, Amkoullel is always on stage because he's very demanded.
This album makes the engagement of the young Fulani concrete with very evocative and catchy titles. The introduction “I am” is alone an art and a message that defines clearly the strong personality of the young rapper.

This song is at the same time an introduction to my album and a way to present myself showing samples of the different style I use in my flow (manner to rap) and the different languages I use (French and Bambara). It also conveys my personality which is based on autonomy in thinking, in identity: I am because I don’t ape anybody…
"Mali kalanko" and "In faculté" (the incapacity, the virtual existence of faculty, with the prefix “in” for the non-existence of any faculty or university…) in which he criticises the pupils and students who follow like blind the leaders of their association who in fact are just defending only their own interest. He highlights the gaps of the educational system and accuses students, parents, teachers and authorities of the importance of the school crisis Mali is going through since more than a decade. Convinced Africanist, he’s against mimicry. That‘s maybe why in his song "A Guodon", he exhorts music lovers to dance like they conceive music and not like how the other dance. In his opinion, danse and music are universal so every one can dance as he like.
The style of this song is raga hip hop and has been created for the people who like dancing. The lyrics say: “let yourself go! Dance! Don’t be ashamed to let your joy explode, the sound must penetrate your skin!” This song also praises the party nights in Bamako in which people enjoy themselves a lot! In an other track (ironical this time), the very satirical Amkoullel condemn the “fools, the carefree and those who doesn’t use their brain because they are used to the intoxication of the communication of today’s consumer societies. They are unable to judge or criticise cleverly the policy of the country or of any where else in the world.
In "Infaculté", the young rapper pays tribute to his mother in the song "Mère si", it's also a tribute to all the woman who are devote to their children. Mère …Si ! Mother …if ! can be read in two ways : (Merci !) thank you, and (Mother !.. if only you haven't been here !. Without my mother, I shouldn't have been the man I am today. A message to all those who haven't have their father with them and use that as a pretext to justify their bad behaviour! Love song for my mother and all the mothers who take care of their children, recognizes the polite, joyful and timid boy.
Handsome guy, Amkoullel is presently the favourite of the young trendy people of the country, especially after his two brilliant shows near two Rasta men leaders in the African youth: Alpha Blondy and Tiken Jah Fakoly. Young girls are ready to do any thing possible to be in his company and seduce him. But the young Amkoullel stays wise and keep his feet on … stage !

Posthumous homage
Tata Diakité was painfully torn away from our affection on last January 24th, a vibrating homage was paid to her. It was on March 28th, 2003 at the Palace of the Culture Amadou Hampaté Bâ of Bamako. The idea of this Official reception had come following the threat of the private clinic Pasteur to eject Tata Diakité at a time when she was already suffering morally and physically. One of her leg had just been amputated following a traffic accident a few weeks earlier.
Thus, in front of this threat, the collective of the artists of Wassoulou, the producers and the department of the Culture had initiated this spectacle to help her family. Unfortunately, Tata finally died at the eve this spectacle and above all, at the eve of her evacuation toward France. Nevertheless, the Collective of the artists of Wassoulou, Ganadougou and Banimonotié made a point of organizing this giant concert in order to pay her a posthumous homage and especially to help her three children for who are intended the receipts of the event. That’s how about twenty artists united on the scene of the theatre Bazoumana Sissoko. Parallel to this spectacle, an album "Best of" is on the market and a part of the incomes of this sale will be versed to the orphans of Tata Diakité. Unfortunately this charitable action is not spared by piracy. Cruel destiny for the Malian artists.

Zirin Live
Initiate by Lassana Igo Diarra, the second edition of "Zirin Live" (Zirin Rap) met a real success last March 15th, 2003 in the French cultural centre of Bamako. This edition was enhanced by the participation of the actors of the National Institute of Arts and who ensured the staging of this henceforth annual rendez-vous.
Good Mention to the Association Balani’s with at its head Mr Igo Diarra who managed to gather on the same scene a part of the cream of the Malian hip hop: Doudou Soul, Déné Issébéré, Amkoullel and Zion B without budget (150.000 Fcfa offered by the French Cultural centre). "If god gives us long life, we will integrate to the production a video support and a musical compilation, it’s the only way to teach the children the virtues of our society especially when these traditional values tend to be replaced by foreign culture" said Mr Diarra after the meeting.

TOP 30 - BEST HITS 2003 IN MALI